The magic of Mohit Chauhan :
As the lyrics of the famous Camel song, "Song within a Song" goes :
"So far beyond the sky
Not knowing how or why
You realize this feeling is forever
And though another day
May steal your dreams away
You and the song will always stay together.
The dream is like a song
It leads you on and on
The piper plays his tune so you must follow."
Yes, such is the feeling whenever Mohit Chauhan embarks on his duty, the responsibility to be a piper for others to follow, the duty to infuse love and melancholy with equal ability and of course, the duty to enhance his priceless natural ability to be the heart and soul of a song.
As part of Silk Route, his first album (Boondein) had approached, mystified and allured me with its sheer simplicity. While "Dooba Dooba Rehta Hoon Aankhon Mein Teri" had his magical voice supported with acoustic brilliance and flute, the title track "Boondein" itself proved what he alone can do. The song "Humsafar", in its own class, justified the power of lyrics and the strength of a song when the lyrics are delivered with apt articulation. For me, it was so evident that they would scale new heights that it never surprised me when they bagged the Channel V Best Album award for Boondein.
Post Boondein-era , came their next project Pehchan and along with it came the magical song, "Sapnay"- prompted me to fall in love with harmonica, there came "Door Chala Aaya", an amazing rendition of nostalgia and came Mohit Chauhan's self-discovery through the song "Morni". I whole-heartedly appreciated the range of experiments that the lead vocalist, Mohit Chauhan himself can deliver. I was haunted.
Sadly, the band faded away but Mohit, like a God-sent warrior to fight for music that reminds someone of dawn, when the world sleeps in solace or of the twilight, when the world waits to be reborn, continued his duty.
And came "Guncha Koi" [OST : Main Meri patni aur Woh], and proved the melody assures the seat well above rhythm.
Lost in my own duties, if there was ever an escape through music, it was always Mohit Chauhan who had opened the doors for me. I realized I have discovered Mohit Chauhan.
A long pause in between, long enough for my hunger and then came "Tum Se Hi"( from the movie Jab We Met) and "Aankhon Hi Aankhon Mein" ( from the movie EMI). The former being a velvet while the latter had just recreated the magic. The "Magic" of Mohit Chauhan.
As the lyrics of the famous Camel song, "Song within a Song" goes :
"So far beyond the sky
Not knowing how or why
You realize this feeling is forever
And though another day
May steal your dreams away
You and the song will always stay together.
The dream is like a song
It leads you on and on
The piper plays his tune so you must follow."
Yes, such is the feeling whenever Mohit Chauhan embarks on his duty, the responsibility to be a piper for others to follow, the duty to infuse love and melancholy with equal ability and of course, the duty to enhance his priceless natural ability to be the heart and soul of a song.
As part of Silk Route, his first album (Boondein) had approached, mystified and allured me with its sheer simplicity. While "Dooba Dooba Rehta Hoon Aankhon Mein Teri" had his magical voice supported with acoustic brilliance and flute, the title track "Boondein" itself proved what he alone can do. The song "Humsafar", in its own class, justified the power of lyrics and the strength of a song when the lyrics are delivered with apt articulation. For me, it was so evident that they would scale new heights that it never surprised me when they bagged the Channel V Best Album award for Boondein.
Post Boondein-era , came their next project Pehchan and along with it came the magical song, "Sapnay"- prompted me to fall in love with harmonica, there came "Door Chala Aaya", an amazing rendition of nostalgia and came Mohit Chauhan's self-discovery through the song "Morni". I whole-heartedly appreciated the range of experiments that the lead vocalist, Mohit Chauhan himself can deliver. I was haunted.
Sadly, the band faded away but Mohit, like a God-sent warrior to fight for music that reminds someone of dawn, when the world sleeps in solace or of the twilight, when the world waits to be reborn, continued his duty.
And came "Guncha Koi" [OST : Main Meri patni aur Woh], and proved the melody assures the seat well above rhythm.
Lost in my own duties, if there was ever an escape through music, it was always Mohit Chauhan who had opened the doors for me. I realized I have discovered Mohit Chauhan.
A long pause in between, long enough for my hunger and then came "Tum Se Hi"( from the movie Jab We Met) and "Aankhon Hi Aankhon Mein" ( from the movie EMI). The former being a velvet while the latter had just recreated the magic. The "Magic" of Mohit Chauhan.